ENTER. THE EVERYDAY LIFE
This is where the construction begins, on the stage where each of us perform everyday.
This could be a Monday evening or a Saturday morning. We just had dinner, spoke about the weather or went for at walk.
Something boring just happened. It happens all the time. I take milk and one sugar in my coffee.
It is well-known, a ritual and routine I do everyday without noticing anymore. It is nothing special. I revisit nothing special. It becomes something. special.
THE STAGING OF FAMILIAR SCENARIOS.
Suddenly they become unfamiliar to us.
I wonder.
How our way of seeing and experiencing them can change.
THE REPRESENTATION OF REALITY.
These moments when fiction and reality get obscure.
Does reality become fiction or fiction become reality?
This is where my curiosity and exploration starts.
ACTIONS ARE BEING REPEATED. REPEATED.
REPEATED AND ALLOWS THE NARRATIVES TO UNFOLD AND CREATE NEW MEANING.
THE PRINCIPLE OF THE LOOP.
Simulating previous actions.
I notice how it expands cinema.
THE LOCATION OF AUTHORSHIP
(Whispered)
How can this determine our perception of reality?
The consequence of it being located within or outside of the work.
MEMORY. My memory, your memory and our collective memory. I often think about this. How can a piece of work play with our preconceived ideas and expectations ?
THAT’S WHAT INTEREST ME.
To restage recognizable events.
To ask for various interpretations.
To ask for misunderstandings.
SPONTANEOUS REACTIONS.
Immediate impressions.
Improvisation.
I like it well organised. I like it when nothing is organised.
I SAY
The spontaneous reality.
The collapsed fiction.
The constructed narrative unfolds infinite.
This is where the construction begins, on the stage where each of us perform everyday.
This could be a Wednesday afternoon or a Sunday evening. We just cried, spoke about the past or kissed.
THIS IS A REPRESENTATION OF… (TO BE CONTINUED)